Sea butterflies are tiny marine snails but, instead of a traditional foot, they have a pair of wing-like appendages. These propel them on their daily migration from the sea surface, where they feed, down to deeper, darker waters to hide from predators.

After five years, with more than 25 papers in peer-reviewed scientific journals, six dedicated research cruises, and more than 45 presentations at national and international meetings, the BIOS-SCOPE (Bermuda Institute of Ocean Sciences – Simons Collaboration on Ocean Processes and Ecology) program has received five years of additional funding from the Simons Foundation International to continue its study of the microbial oceanography of the Sargasso Sea.

Naomi Villiot knew the path to research abroad during a global health crisis wouldn’t be easy or simple. However, “after a great deal of paperwork, navigating canceled flights, virus testing, and isolation for days upon arrival in Bermuda in September, I have been able to continue with my research,” said Villiot, who hails from a small island in France and studies at a British university.

Sampling offshore Bermuda this July, the BIOS-SCOPE (Bermuda Institute of Ocean Sciences – Simons Collaboration on Ocean Processes and Ecology) program completed its first full year of study to learn how marine microbes produce, transform, and leave behind dissolved organic matter as the seasons progress, and microbial communities wax and wane.

At midnight on a warm night off Bermuda in July, research technician Joe Cope and a small team of crew members prepared to deploy a net system stretching nearly the length of a city bus from the stern of the research vessel Atlantic Explorer. Though it’s not unusual for oceanographers to work around the clock during a research cruise, the timing of this particular cast was important. Every night, under cover of darkness, the marine animals they hoped to capture—some a few inches in length, others the size of a sand grain—come to the surface to feed on phytoplankton, after spending the daylight hours far below the surface, hiding from predators.

Every time science researchers conduct an experiment at sea or make measurements in a lab, they gather tens of thousands of data points. Collectively, these tell a story of the places, organisms, and communities scientists study and the research questions they are addressing.

For her research at BIOS, Amy Maas studies one of the ocean’s smallest organisms—a delicate, shelled animal the size of a peppercorn, called a pteropod—which helps her understand current changes in ocean acidity. This month she began a collaborative research project focused on even smaller creatures—microscopic foraminifera, more commonly called forams—that help scientists understand how Earth’s climate has changed throughout history.

Earlier this year, Leocadio Blanco-Bercial, a zooplankton ecologist at BIOS, was awarded funding from the National Science Foundation (NSF) for a three-year investigation to determine how environmental variables, such as temperature and oxygen, influence the structure of zooplankton communities found within the ocean’s twilight zone (depths between 650 to 3000 feet, or 200 to 1000 meters), also known as the “midwater.”

For nearly a hundred years, scientists have known that plankton—the microscopic organisms that drift and float in the ocean, also known as marine microbes—form the basis of the ocean’s food web. Phytoplankton (literally “plant wanderers”) are photosynthetic, like their terrestrial counterparts, and convert sunlight into energy. Phytoplankton, in turn, are consumed by zooplankton (literally “animal wanderers”), as well as a host of larger marine organisms, including juvenile fish, shellfish, birds, and even whales. However, scientists are now learning that plankton play an even larger role in earth’s complex biogeochemical systems.

As scientists work to answer progressively complex questions about the earth and its changing climate, they are becoming more aware of the importance of communicating their findings to the public. To improve the likelihood that their messages are heard, understood, and made accessible, they are increasingly turning to art.